Have you ever heard the term “glue” in a conversation about recording and mixing? No, I’m not talking about the kind you used to put on your hands in elementary so you could peel it off when it dried. (Am I the only one who did that?)
A great example of this technique comes from P!nk. At 2:03 in “Walk Me Home,” she sings the chorus an octave below, accompanied by nothing but an acoustic guitar, which makes the final chorus that returns later all the more impressive and memorable.
This tip is especially useful if you’re super strapped for time. When you sit down to do a thing — something that will move your career forward — set a timer. Whatever time you have. Fifteen minutes, an hour, two hours; set a timer to help you focus 100% on the task at hand. For some people, this may sound like a stressful idea. I get that. But maybe this tip can help you break through that stress and get stuff done.
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The following post comes directly from Soundfly’s mentored online course, The Art of Hip-Hop Production. Learn the nuances of producing beats, arranging tracks, and creative sampling, drawing on the rich history and influence of hip-hop. Free preview here.
The best way to keep fans engaged is to go back and see them regularly. In past articles I’ve spoke about the importance of building regionally before trying to tour in markets farther away from your home. This is one of the main reasons for that point.
And for a bonus, because it’s not strictly designed for musicians, Google Analytics is worth checking out if you’re obsessed with learning more about the fans who visit your website. This platform is designed to help businesses (if you sell music, then you’re a business) better understand and serve their customers, and that makes it perfect for you.
From her native Tunisia via France, Abdelwahed made her name playing sets in places like The Boiler Room and Berghain. Her work fuses gritty urban dance rhythms with unconventional textures; it’s ambient, industrial, and traditional Arab music all wrapped up within an experimental techno framework. In an interview she poses a question that summarizes her artistic vision: “If the people who invented house and techno were Arab, if they had grown up with our rhythms and our instruments, what would it sound like? Would it be the drum and bass, house and techno we know today? I don’t think so.” Abdelwahed’s latest album is Khonna, released in November 2018.
“Thank you for what has been one of the best musical learning experiences I’ve ever had. With Ian as a mentor, I’ve grown beyond anything I thought possible in six weeks.
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Create clearly labelled folders for the samples that you use or think you might use soon. You can categorize your samples in broad terms, for example, as acoustic drums, drum machine, synth, vocals, or by the name of the sample pack they came from. Then, from there, you can categorize them by type, such as one shots, loops, ambience, pads. Organizing your folders so you can find the right sound a lot quicker is optimal for fast-paced writing sessions, bigger and complicated projects, or time-sensitive work with approaching deadlines.
The U.S. was founded on Enlightenment principles, and many of our deepest assumptions about art and life come from the era after Bach’s lifetime. Although Bach’s music is universally loved now, the stern Lutheran beliefs that infused its creation are counter-cultural today, and have often been ignored or derided since his lifetime. These days, the idea that theology can find direct expression in music theory can seem at best a heady curiosity, and at worst a regression to a way of conceiving the world whose very nature challenges some of our most cherished cultural, social, and political achievements.
Either way, mobile streaming seems to have stolen all of our beloved video stars with irrefutable might. But today, as we welcome back one of the strangest global holidays, World Television Day, let’s reflect on the irrefutably mighty influence that television has had on the development of music in the 20th and 21st centuries.
Janet Jackson and Justin Timberlake played the halftime show of Super Bowl XXXVIII. Jackson came out with a politically charged, very serious song, and everything was going as expected. Then Timberlake came out and brought sexy back, as he does. At the very end of their set, Timberlake reached over to grab at Jackson’s clothes in the choreography, and then it happened. The infamous “wardrobe malfunction” — a.k.a., “the nip slip” — a dancing artist’s worst onstage nightmare. This video is NSFW, though I’m sure your boss has seen it already. What is so impressive is how quickly the whole thing got covered up as they finished their performance in perfectly timed darkness.
We’ve used A.I. with the fundamentals of DJing to create the first automagical algorithm that can classify any song into the correct genre with 99% accuracy in a matter of seconds.