November 14, 2019 music

A further fragmentation of the material brings us to (d.). This rhythmic cell is then chopped into (d1.) and (d2.), which reinforces the sense of urgency. All this material is also subject to octave displacement and expansion of registers (0:59 onwards): From a low A3, the fragments are interspersed with notes in the upper octaves (A4, A5). The note A6 is presented as an interval of an octave (A5 and A6) with a leap in register (1:31). Word quickly spread about Takeo Ischi and he became known as the “Japanese yodeler” (“Der japanische Jodler”). Not a creative name, but you…