Mahea Lee is a classically trained pianist and composer who has a degree from a jazz school and leads an electro-pop band. Her greatest musical passion is lyrical songwriting, but she’s been known to write the occasional fugue. She graduated from Berklee College of Music, where she majored in Contemporary Writing and Production and minored in Music Theory. For more Mahea, check out Soundlfly’s course, The Improviser’s Toolkit.
Logic makes it really easy to set your tempo and time signature. If you look in the top toolbar, you will see a black box with a list including Key, Tempo, and Time Signature.
All you have to do is click the box. Purple means the click will play; when it’s not purple, it won’t. I personally recommend that you record both your piano and vocals to a click track to make sure everything you might record later on is in time. It’ll also make mixing and processing that much easier.
Nea community grants
The year’s half over but tons of great conferences are still ahead. Here are our favorite North American music gatherings that you need in your calendar.
Horizontal hemiola, on the other hand, is when the patterns of three and two happen not simultaneously but unfold across time. This can be as simple as taking the two lines and putting them next to each other rather than on top of each other (like in the vertical arrangement). For example:
Hopefully Tredici Bacci’s listeners understand the inherent joke underlying a song about the ’70s written by someone who was born in 1991. Of course, I can’t seriously mourn an era that I mostly learned about from watching erotic films and talking to my parents’ friends. That said, most things that I love (in music, art, fashion and the aforementioned erotica) were made in the ’70s, and I wonder if I would have thrived had I been born back then. “In The 1970s” is more of a loving ode to what I admire about that decade, and as a compositional experiment, an attempt to write something that used my favorite “’70s-sounding” signifiers.
So starting with my big vision (Garner, I’m coming for you!), I know I’m going to have to work on my stride playing and block chords a bit. That’s still pretty vague though, so I think I’ll start by trying to figure out the left hand part of “Stompin’ at the Savoy.” Suddenly, that’s totally something I can figure out in a few sessions and I’ll be a little bit closer to my overall goal.
This record was a hair away from not being produced at all. Syd Nathan, the “king” of King Records at the time, saw James Brown as more of a single artist and refused to finance the making of a full album, nonetheless a live one. Nathan signed Brown and put out “Please, Please, Please,” which sold quite well. Unfortunately, Brown’s next nine singles were complete flops.
Funding for cultural projects
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
For many, this is the dream. But not for me. My eyes become misty when I think of my teenage PC’s dial-up modem croaking into life, a low-quality MP3 of “Guerilla Radio” or “Ms. Jackson” seeping onto my hard drive through the unregulated glory of vintage peer-to-peer technology. Long Live Limewire!
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You say that your API could save Spotify and Pandora millions per year. Why is that?
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.